'Draining to watch, I cannot imagine how this superb cast feels after performing this traumatic play, a triumph for director and talented cast.' - Peterborough Evening Telegraph March 2008
‘Another vivid production from this adventurous company’ - Playhouse Creatures September 2007
“Stamford Shoestring Theatre’s production of The Madness of George III is a right, royal, rare and remarkable piece of total theatre.” - The Cornishman - The Madness of George III Minack July 2007
“We are unlikely to see a better performance here for the season three cheers for ‘Mr King’ and his subjects who support him so splendidly” - The Cornishman - The Madness of George III Minack July 2007
"A Superb performance from everyone, professional standards don’t come higher than this company’s resonant production" - The Madness Of George III June 2007
“ A thought provoking look at mental illness, I didn’t know whether to laugh or cry” - Woman in Mind March 2007
“A luminous performance a credit to this ambitious company” - Vincent in Brixton September 2006
"Shoestring Delivers a memorable performance of this fascinating insight into the passionate, volatile Russian 19th Century society." - A month in the Country June 2006
"A memorable performance from this far from amateur company." Shadowlands, September 2005
"A slick performance by a talented cast." Getting On, March 2005
"This talented company brings Thackeray's lengthy tome to exhilarating life in this effervescent production." Vanity Fair, December 2004
“Separate Tables highlighted how lucky Stamford is to have such a top class amateur company working in the town." Separate Tables, September 2004
"... a fine piece of theatre, utterly convincing, brilliantly performed - with an atmosphere of lurking menace that enthralled and chilled." Journey's End, November 2002.
"It was not just a good night out - the applause at the end went on and on - it was a night to remember. If you haven't seen Shoestring, do so soon, we're lucky to have them." The Rise and Fall of Little Voice, 2001
" ... emotional and enthralling play." Amy's View, 2001
" ... just straightforward total enjoyment." Give Me Your Answer, Do!, 2001
"... it was, hand-on-heart, no word of a fib, one of the best productions I have ever seen. Anyone who didn't join in the fun should be weeping into their hankies."
The Three Musketeers, 2000
" ... a privilege to have a local company bringing original works to us ..." Stevie, 1999
" ... the subtle acting skills of the entire company ... 'twas a real pity if you didn't get to see it!" 'Tis Pity She's A Whore, 1999
" ... once again, Shoestring excel themselves ... a compelling performance of one of history's most intriguing love stories." Bequest to the Nation, 1998
"Another gem from Shoestring" When We Are Married, 1997
"...from the opening scenes to the final curtain, the jokes get faster and the audience's laughter louder. Prepare to cry with laughter." Habeas Corpus, 1997
"... a human drama it would be hard to match for raw emotional power." Our Country's Good, 1996
"...thanks to the acting talent of the small cast, this fast-paced, gritty, stage 'heavy' was jam-packed with gutsy and sympathetic performances." Hedda Gabler, 1996
"Stamford Shoestring Theatre's emotionally-charged production ... is simply stunning." Death of a Salesman, 1996
"... anyone who saw the Shoestring production would have been left wanting more." Dancing at Lughnasa, 1995
"... the quality of the production makes you feel that you have witnessed Captain Scott's ill-fated Antarctic expedition at first-hand." Terra Nova, 1994
"This all female cast held the audience spellbound." Steel Magnolias, 1994
"... a comic marvel that doesn't lose its fizz." Shakers, 1993
"... a real treat. This is a crisp and clean production performed by a justifiably confident cast - an amateur production without the amateurs." London Assurance, 1993
"With cleverly designed sets and perfect pacing throughout, this is class entertainment." The Importance of Being Earnest, 1992
"The mixture of excellent character acting and razor-sharp direction made Stamford Shoestring's latest production ... irresistible." Tom Jones, 1991
" ... five-star performances ... There will be no justice if all the tickets for the remaining performances are not sold out." Cause Célèbre, 1988
|
